3 # The AVI file format supports so-called tomb-stone data. It can be
4 # used to write annotations into the AVI file.
6 # You can use this file as the argument to the transcode option
7 # --avi_comments. When the file is read, empty lines and lines
8 # starting with '#' are ignored.
9 # The syntax is: "TAG<space>STRING". The order of the tags does not
10 # matter. If a tag has no string following it, it is ignored. That
11 # means, you can use this file as input and only fill out the fields
14 # A very simple example is:
15 # ----------------snip----------------
16 # INAM My 1st Birthday
17 # ISBJ My first steps!
18 # IART My proud family
19 # ----------------snip----------------
21 # Keep in mind that there is no endless space in the AVI header,
22 # most likely its around 1000 bytes.
25 # INAM - Stores the title of the subject of the file, such as
26 # "Seattle from Above."
29 # ISBJ - Describes the contents of the file, such as
30 # "Aerial view of Seattle."
33 # Lists the artist of the original subject of the file;
34 # for example, "Michaelangelo."
37 # Records the copyright information for the file; for example,
38 # "Copyright Encyclopedia International 1991." If there are multiple
39 # copyrights, separate them by semicolon followed by a space.
42 # Lists the name of the person or organization that commissioned
43 # the subject of the file; for example "Pope Julian II."
46 # Provides general comments about the file or the subject
47 # of the file. If the comment is several sentences long, end each
48 # sentence with a period. Do not include new-line characters.
49 ICMT Codec: FFmpeg (DivX5)
51 # Indicates where the subject of the file is archived
54 # Creation date. Specifies the date the subject of the file was created. List
55 # dates in year-month-day format, padding one-digit months and days with
56 # a zero on the left; for example, "1553-05-03" for May 3, 1553.
59 # Describes whether an image has been cropped and, if so, how it
60 # was cropped; for example, "lower-right corner."
63 # Specifies the size of the original subject of the file; for
64 # example, "8.5 in h, 11 in w."
67 # Stores dots per inch setting of the digitizer used to
68 # produce the file, such as "300."
71 # Stores the of the engineer who worked on the file. If there are
72 # multiple engineers, separate the names by a semicolon and a blank;
73 # for example, "Smith, John; Adams, Joe."
76 # Describes the original work, such as "landscape,", "portrait,"
80 # Provides a list of keywords that refer to the file or subject of the
81 # file. Separate multiple keywords with a semicolon and a blank;
82 # for example, "Seattle, aerial view; scenery."
85 # ILGT - Describes the changes in the lightness settings on the digitizer
86 # required to produce the file. Note that the format of this information
87 # depends on the hardware used.
90 # IMED - Decribes the original subject of the file, such as
91 # "computer image," "drawing," "lithograph," and so on.
94 # IPLT - Specifies the number of colors requested when digitizing
95 # an image, such as "256."
98 # IPRD - Specifies the name of title the file was originally intended
99 # for, such as "Encyclopedia of Pacific Northwest Geography."
102 # ISHP - Identifies the change in sharpness for the digitizer
103 # required to produce the file (the format depends on the hardware used).
106 # ISRC - Identifies the name of the person or organization who
107 # suplied the original subject of the file; for example, "Try Research."
110 # ISRF - Identifies the original form of the material that was digitized,
111 # such as "slide," "paper," "map," and so on. This is not necessarily
115 # ITCH - Identifies the technician who digitized the subject file;
116 # for example, "Smith, John."